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Josias: FHC didn't notice, but PSDB has already become a supporting player.

"The PSDB has been rehearsing this break with Temer ever since the JBS Group's plea bargain exploded. The departure would come after Temer's explanations. (...) From postponement to postponement, it has reached the point of demoralization," writes the journalist; "To return to center stage, it needs to recover its discourse, its direction, and its sense of the ridiculous," he further states, regarding the PSDB.

"The PSDB has been rehearsing this break with Temer ever since the JBS Group's plea bargain exploded. The departure would come after Temer's explanations. (...) From postponement to postponement, it has reached the point of demoralization," writes the journalist; "To return to center stage, it needs to recover its discourse, its direction, and its sense of the ridiculous," he further states, regarding the PSDB (Photo: Gisele Federicce)

247 Journalist Josias de Souza comments on your blog on UOL The article published by former president FHC in which he advocates - but for the end of the year - the PSDB's break with the Michel Temer government.

"The PSDB has been rehearsing this break with Temer ever since the JBS Group's plea bargain exploded. The departure was supposed to come after Temer's explanations. It was postponed until after the Supreme Court's decision on the integrity of the audio with the president's voice. It was delayed until after the Superior Electoral Court's decision on the request to annul the Dilma-Temer ticket. From postponement to postponement, it reached the point of demoralization," the columnist points out.

"It's as if the PSDB [Brazilian Social Democracy Party] is imitating a brawler who says he's going to punch someone in the face, but takes so long to get up from his chair that it compromises the seriousness of the scene," he compares. "FHC [Fernando Henrique Cardoso] hasn't realized it yet. But his party has already become a supporting actor in 2018. To return to center stage, it needs to recover its discourse, its direction, and its sense of the ridiculous," the columnist concludes.